本次 Supreme 鋼彈 MG 3.0 作品，以經典潮流品牌為靈感基礎，搭配 MG 3.0 的高細節結構，打造出風格鮮明的聯名概念模型。

在設計與製作上，我們特別增添了專屬對應的鋼彈水貼，讓整體質感更加完整，並強化視覺識別與主題一致性。

細節部分，採取「平衡為核心」的處理手法，水貼與配件的比例重新配置，不僅避免過度干擾主題風格，更巧妙地提升了畫面的豐富度。整體視覺張力與細節層次兼具，在展示時能夠展現完整度與穩定感。

This Supreme Gundam MG 3.0 build draws inspiration from an iconic streetwear brand, fused with the highly detailed structure of the MG 3.0 kit to create a distinctive collaboration-themed model.

In both design and execution, custom decals specifically matched to the Gundam were added to elevate the overall texture and reinforce the visual identity and thematic coherence.

For the detailing approach, a "balance-centered" strategy was adopted. The layout of decals and accessories was reconfigured to enrich visual layers without overwhelming the central concept. The result achieves both visual tension and layered sophistication, delivering a sense of completeness and structural stability when on display.

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這次的創作，從橫濱實體鋼彈的經典構造出發，採用陰影塗裝結合舊化處理，打造出更具機械重量與現實感的版本詮釋。原本鮮明的配色經過重構，使整體呈現出經歷實戰洗禮後的視覺張力。

本體在多層次藍色與灰階金屬表現上，特別針對光影與關節連結處強化對比，提升視覺深度。盾牌與胸甲經過層層刮損處理，結合局部消光與亮面混搭，營造出「實體駐地機」特有的臨場感。

若將此版本與一般素組進行對照，可明顯感受細節層次的深度差異。這不僅是塗裝上的升級，更是對鋼彈本身精神的一次重構與延伸

HG RX-78F00 GUNDAM [Yokohama Ver.] – Weathered Custom Finish
This build reinterprets the RX-78F00 from the life-sized Yokohama Gundam through a layered weathering and shadow-painting approach, transforming the clean base kit into a machine that looks like it’s seen real combat.

The vibrant original color scheme has been reworked with deeper blues and metallic grays to enhance realism and visual weight. Special attention was given to light-shadow contrast at the joints and panel breaks, amplifying the mechanical density. The shield and chest armor feature extensive scratch work, combined with a matte-gloss hybrid finish that adds field realism and texture richness.

When compared to a straight-build version, the difference in visual depth and surface storytelling becomes strikingly clear. This isn’t just a paint job—it’s a reconstruction of Gundam’s spirit through grit, wear, and layered narrative.

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海牛 Hi-ν Gundam（模魂真悟 吳羽東華限定配）
這台原本就不低調，但我還是忍不住想再加上更多。
全機重上原色、分色再規劃、蝕刻片補滿該銳的地方，外加專屬地台收尾，也不是為了炫，就是純粹想把這台做到「連自己都不會膩」。
表面上看起來只是照原配色做，但實際上改了不少：原本有點鬆的視覺節奏，現在每個角落都有交代細節刻線＋Decal佈局全新調整那些看似理所當然的分件，實際上全上分色，單純想一台能代表我自己審美、細節處理、整體掌握的作品。
做完這台，有種靜靜的滿足感。
不是因為它有多驚人，而是它剛好在對的時間，
成為我手上那台做到「剛剛好」的作品。

Hi-ν Gundam (MoSoul × Wuyu Donghua Limited Ver.)
This kit was never subtle to begin with but I still couldn’t resist pushing it further.

Repainted from scratch, restructured the color balance,
added etched parts to sharpen the lines,and built a custom base to ground the entire piece. Not to show off—just to make something
I’d never get tired of looking at.

It may look like a faithful color match at first glance, but underneath, a lot has changed:
Visual rhythm was tightened; every section now has its place
Decal layout and panel lines were fully reworked

What looked like standard parts were all painstakingly masked and repainted
The base? Completely redone—because I couldn’t stand the original

I didn’t think about trends, reach, or algorithms.
I just wanted to build something that reflects my own sense of detail, balance, and control.

And when it was finished, I felt a kind of quiet satisfaction. Not because it’s “impressive,”
but because it became the piece that felt just right—at just the right time.

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HG 1/100 自由鋼彈
這次採用 2D 漫畫風塗裝，
與夥伴 @aardbei_2d 一同製作完成。
這是我們對經典的再詮釋。
重新調整線條節奏與2D比例色塊，
讓這台老模型重新呈現新活力，
不只是致敬，也是一種更新。
輪廓刻意收線、線條刻畫清楚
噴塗打好底色，搭配筆塗繪製陰影，
整體配色參考原作動畫，結構拆解後再重塑
進而創作出2D塗裝的自由鋼彈。

HG 1/100 Freedom Gundam

This time, we applied a 2D comic-style paint scheme,
co-created with my partner @aardbei_2d .

It’s our reinterpretation of a classic.
We reworked the line rhythm and 2D color block proportions,
giving this older kit a sense of renewed energy.
More than just a tribute—it’s a reimagining.

Clean line separation, bold outline emphasis.
The shadows were hand-painted over carefully layered base colors.
Color scheme references the original anime,
with the structure broken down and rebuilt to suit the 2D aesthetic.

The result:
a Freedom Gundam that looks like it walked straight out of a cel frame.

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1/100 機甲之城 深境打擊
這是我此生難忘的作品之一。
如果要選出 2025 年的代表作，這台一定在名單裡。
這次採用了陰影塗裝搭配啞光紅，
原本設定是血紅色，但在實際試色之後，
和客戶討論決定全改為啞光紅。
改完之後的效果，比想像中還穩重、震撼、冷靜、耐看。
這台完成的當下，我一個人靜靜看著它看了半個小時。
沒有背景音樂，沒有拍攝，只是看著。
就像一場夢一樣。
過程有多難，成果就有多大。
這不是一台作品，是一次挑戰，
而且是不計成本的挑戰。
謝謝 H.CREATOR 的夥伴們，沒有他們，這台不會出現。

1/100 Mecha City – “Deepstrike ”
This is one of the most unforgettable builds of my life.
If I had to choose a signature piece for 2025,
this one would be on that list—no question.
We went with a shadow-style paint job, paired with matte crimson.
Originally, it was set to be blood red,
but after test painting and further discussion with the client,
we decided to go full matte crimson instead.
It turned out far better than expected—calmer, heavier, bolder, and deeper.
When I finished this piece,
I sat in front of it for half an hour—no music, no filming,
just… looking.
It felt like a dream.
The harder the journey, the greater the result.
This isn’t just a model—
it’s a challenge,
and one we took on without holding anything back.
Huge thanks to my teammates at H.CREATOR.
This piece wouldn’t exist without them.

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這是 H.CREATOR 的第一台改造作品，
我們以 F91 為骨架、結合 正義鋼彈 的零件，
打造出這台獨屬於我們的機體
AURELIUS GUNDAM。

全機採用斑駁塗裝，搭配紅金色系點綴，
細節處採用刻線、金邊、色塊漸層呈現，
並搭配我們自行設計的岩石地台與專屬銘牌，
構築出這個即將「給予致命一擊」的關鍵瞬間。
這只是開始，後續將會有一系列的改造作品，
敬請期待

This is H.CREATOR’s very first customized Gunpla creation.Built upon the F91 frame and combined with components from the Justice Gundam,
we proudly present our original machine — AURELIUS GUNDAM.

The entire body features a weathered paint finish, accented with red and gold tones.
Fine details are expressed through panel lining, metallic edges, and layered color gradients.
It’s displayed on a custom-designed rocky base with a dedicated nameplate,
capturing the decisive moment — the strike that delivers the final blow.

This is only the beginning.
More customized works are on the way — stay tuned.

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這是我們與 @aardbei_2d 合作的第二台作品。延續 2D 漫畫風的概念，
這次挑戰的是正義鋼彈。
原本鮮明的紅色系，在2D筆觸與陰影重構後，
變得更有深度，也更像是一格靜止的畫面。

我們重新定義線條的比例與節奏，
讓整體既有動畫的張力，
也能在現實光線下保持平面感的穩定。
這台作品不只是技術上的呈現，
更像是一次2D風格的對話
在「現實」與「畫面」之間，尋找邊界。
這是此作品的樣子，也是我們對 2D 模型語言的一次呈現。

This is our second collaboration with @aardbei_2d,continuing the exploration of the 2D manga-style concept.
This time, the challenge was the Justice Gundam.
The original vivid red tones were reconstructed
through layered 2D brushwork and shadow rendering,
giving the piece more depth—
as if frozen within a single frame of animation.
We redefined the balance and rhythm of the lines,
allowing the piece to hold both the tension of animation
and the composure of a flat, illustrated surface under real light.
This work is more than a technical execution—
it’s a dialogue in 2D expression,
a search for the boundary between “reality” and “illustration.”
This is how the piece stands—
our interpretation of what 2D modeling can become.

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這是我們與 @aardbei_2d 合作的第三台作品，也是整個系列中最具壓迫感的一台。
以深灰、淺灰與藍為主調，在線條與陰影之間刻意保留筆觸的呼吸，讓冷色中仍帶有深層的節奏與立體感。
2D 漫畫風的核心，是「節奏」。
明暗的銜接、筆線的停頓，都必須在平面與立體之間取得微妙的平衡。

天帝鋼彈的結構複雜、曲面多變，每一道線條，都像是在與光影對話。

這不只是完成度的提升，更像是一段「結語」
為整個 2D 系列劃下沉穩的句點，
也象徵我們下一個風格篇章的開始。

This is our third collaboration with @aardbei_2d,and the most imposing piece in the entire series.
Using deep gray, light gray, and blue as the main palette,
we deliberately preserved the texture of brushstrokes
between the lines and shadows—
allowing the cool tones to breathe with depth and rhythm.
The essence of the 2D style lies in rhythm.
The flow between light and dark,
the pauses within each stroke—
all must find a delicate balance between flatness and form.
The Providence Gundam’s intricate structure and curved surfaces
turned every line into a quiet dialogue with light and shadow.
This work is more than a step forward in execution—
it feels like a conclusion,
a calm punctuation to the entire 2D series,
and at the same time, the beginning of our next stylistic chapter.

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這台作品主要以斑駁塗裝為主軸，重點放在層次與顏色的控制。整體以深藍灰為基底，局部加入橘色點綴，讓配色在沈穩中帶出視覺重心。
斑駁塗裝的難點在於「分寸」，
要讓機體看起來歷經使用、卻不顯髒亂。
因此每一層顏色都經過噴塗技法調整，使金屬質感與輕度戰損效果能自然融合。
敘事鋼彈的線條本身就很俐落，
這次在細節不做過多改造
讓表面質感更接近現實中使用過的機械感。
這是一台偏實驗性的作品，
測試如何在乾淨與斑駁之間取得平衡。

This build focuses on a weathered paint finish,with emphasis on layer control and color balance.
The overall tone is based on deep blue-gray,
with subtle orange highlights to bring out visual contrast within a calm palette.

The challenge of weathered painting lies in precision —
to make the mobile suit look used and realistic, yet not dirty.
Each layer was adjusted through controlled airbrushing techniques,
allowing the metallic texture and light battle-worn effects to blend naturally.

The Narrative Gundam’s structure is already sharp and well-defined,
so this time, no heavy modifications were made —
the goal was to preserve the mechanical realism of a machine that’s seen use.

This piece is more of an experimental work,
testing how to find balance between cleanliness and weathering.

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PG 攻擊自由鋼彈 + GK 改套 × 陰影塗裝
這台作品，花了比我想像更長的時間。
PG 攻擊自由的份量本就龐大，加上 GK 改套後，
每一個零件都像在考驗耐心，
組合、修飾、打磨、再回頭調整，
直到所有線條、結構都能安靜地站在一起。
陰影塗裝，是這次我最想做的部分。
不是單純的黑白，而是一層一層的呼吸感，
讓白色能沉下去，讓暗部能帶出重量。
局部再添一點金屬色與分色，
讓它看起來不只是「一台放大的自由鋼彈」，
而是能真正壓住場面的機體。
拍完照後，我靜靜盯著它看了很久。
不是因為它完美，而是因為它完整。
這台作品，是我給時間、給耐心的一個交代。

PG Strike Freedom Gundam + GK Conversion × Shadow Shading
This piece took far longer than I expected.
The sheer presence of the PG Strike Freedom is overwhelming,
and with the GK conversion added,
every single part felt like a test of patience—
assembling, refining, sanding, then revisiting again,
until every line and structure could finally stand quietly in harmony.
The shadow shading was the part I wanted most to try.
Not simply black and white,
but layers of gradients like breathing—
allowing the whites to sink deeper,
and the dark tones to carry weight.
Accented with touches of metallics and selective color separation,
it no longer looks like “just an enlarged Strike Freedom,”
but a machine that truly commands presence.

After the shoot, I found myself staring at it for a long time.
Not because it was perfect, but because it was complete.
This work is my way of answering to time—and to patience.

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1/100 命運鋼彈（龍桃子版本）
這次做的是［一般塗裝］，
配色選擇了 海涅版本的橘 ， 白 ，紅。
命運鋼彈本身就是一台高彩度的機體，
所以用了比較明亮的色調，
讓它在視覺上更乾淨、更有存在感。
塗裝方式採用平噴直上，
沒有過多效果，但完成後看著它，
依然能把命運那種俐落感和質感呈現出來。

1/100 Destiny Gundam (Dragon Momoko Version)
This time I went with a [Standard Paint Job],
choosing the Heine version’s orange, white, and red as the main colors.
Destiny Gundam itself is already a high-saturation design,
so I applied brighter tones to give it a cleaner look
and stronger presence visually.
For the painting method, I used straight flat spraying,
without adding too many special effects.
But once completed, just looking at it,
you can still feel Destiny’s sharpness and solid texture coming through.

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此套件為 藤原浩 FRGMT 聯名版本，
盾牌上印有標誌性的 ⚡️⚡️ 標誌。

這次採用 四種不同層次的灰階塗裝，
在極簡中保留細節的層次，
讓整體更乾淨、也更能凸顯初代的輪廓與存在感。

RX-78 FRGMT GUNDAM
This kit is a collaboration model with Hiroshi Fujiwara’s FRGMT,
featuring the iconic ⚡️⚡️ emblem on its shield.

The build adopts four different shades of gray,
preserving subtle layers of detail within minimalism—
clean, balanced, and refined—
highlighting the form and presence of the original RX-78 in its purest state.
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